Symphony Salon

Analysis and discussion of Classical Music: The orchestra, chamber music, and beyond. Anonymous comments are automatically rejected.

Saturday, September 23, 2006

JS Bach: WTC I, E Minor Fugue

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Hello all, It will help if you have read the post: Significance of the number nineteen We are looking for the dynamic symmetry in JS Bach...
Wednesday, September 20, 2006

Proportions: The Number 19

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The number nineteen is a favorite number used by Bach. I will be using analyses of the number 19 in Bach and Beethoven. So first, here are...
Monday, April 03, 2006

Stravinsky/Schönberg

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Artur Schnabel: "You may find this hard to believe, but Igor Stravinsky has actually published in the papers the statement, 'Music,...
Friday, March 31, 2006

Richard Strauss: Don Juan

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by Andrew Clements Friday January 12, 2001 The Guardian Don Juan was the work that made the 25-year-old Richard Strauss a star when it was f...
2 comments:
Sunday, March 26, 2006

Tchaikovsky: Instrumentation and nationalism

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Tchaikovsky wrote this: Letter to Mme von Meck, Clarens, March 5 (17), 1878 You ask how I manage my instrumentation. I never compose in the ...
2 comments:

Rimski-Korsakov: Formal Study

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From a letter to Semyon Kruglikov, November 9, 1880 Nikolai Andreyevitch Rimski-Korsakov (1844-1908) wrote: One can learn by oneself; someti...

Nikolai Rimsky-Korsakov

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Nikolai Rimsky-Korsakov (1844-1908), an outstanding and leading figure in the music of Russia, an eminent master of orchestral expression, a...
Saturday, March 25, 2006

Pioneers of the Romantic School

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Carl Maria von Weber (1786-1826) is generally regarded by historians as the founder of the Romantic school of musical expression; and he wa...

The Enlightenment: The Salon

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Although the leading figures of the Enlightenment were all men, the social context was the highly-civilized "salon", usually presi...
Sunday, February 26, 2006

Arnold Schönberg: Verklärte Nacht

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From Julian Ribke (translation: Mary Whittall) Schönberg found the inspiration for his string sextet in Richard Dehmel's poem 'Verkl...
2 comments:
Sunday, February 19, 2006

Anton Bruckner Symphonies

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I have profound respect for Bruckner's work. Bruckner's deeply meditative music poses a challenge to listeners. The nine symphonies,...
1 comment:
Thursday, February 16, 2006

Dukas: The Sorcerer's Apprentice

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Andrew Clements Friday May 12, 2000 The Guardian Ever since Walt Disney's Fantasia in 1940, Paul Dukas's Symphonic Scherzo after Goe...
2 comments:
Tuesday, February 14, 2006

Tchaikovsky: Sixth Symphony, B minor, Op.74

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Tchaikovsky wrote his Sixth, and last, Symphony (Op.74 in B minor) in 1893, very shortly before his sudden death. He himself called it the P...
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BBC SO to present portrait of Argentine Composer Osvaldo Golijov

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The BBC Symphony Orchestra and Christopher Cook are presenting a portrait concert of Osvaldo Golijov which will feature four premieres of th...
Sunday, February 12, 2006

Schumann Festival 2006

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With Mozart celebrations bubbling up everywhere, we should pause to remember that Schumann died 150 years ago, 1856. Please check out Schuma...
Friday, February 10, 2006

New York Philharmonic to Make Concerts Available for Digital Downloading

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February 9, 2006 New York Times By DANIEL J. WAKIN The New York Philharmonic, not known for its quick-stepping ways, is entering the new wor...
1 comment:
Friday, February 03, 2006

Inside the Orchestra

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By Philip Kennicott Washington Post Staff Writer Friday, February 3, 2006; C01 "It's not drudgery," says Dick, one of the larg...
Thursday, February 02, 2006

Bach soothes animals at shelter

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An RSCPA rescue centre has installed a £2,000 sound system to play soothing classical music to stressed dogs. Staff at the kennels in West H...

Classical website Andante shuts down

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The Classical Musician has just suffered another calamity. Andante.com, a web site whose stated goal was to be the leading classical music s...
1 comment:
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Chris Frigon
see http://www.classical-composers.org/comp/frigon I enjoy all kinds of music and love composing. I play piano, and long ago I played cello and tuba. I am retired. For eleven years, I taught piano, composition, counterpoint, orchestration, ear training, and analysis at Berklee College of Music in Boston. With Camille Roman, I cofounded and coedited The Twayne Music Book Series and served as individual volume editor for books on The Beatles, Sonny Rollins, Claude Debussy, Carlos Chavez, Olivier Messiaen, Downhome Blues Lyrics, Lester Young, and Black Women Composers.
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